Blinds corners and curves - Flowering trees for shade.
Blinds Corners And Curves
- (corner) a place off to the side of an area; "he tripled to the rightfield corner"; "the southeastern corner of the Mediterranean"
- A place where two streets meet
- A place or angle where two or more sides or edges meet
- (corner) gain control over; "corner the gold market"
- (corner) the point where two lines meet or intersect; "the corners of a rectangle"
- An area inside a room, box, or square-shaped space, near the place where two or more edges or surfaces meet
- Deprive (someone) of understanding, judgment, or perception
- Cause (someone) to be unable to see, permanently or temporarily
- A window blind is a type of window covering which is made with slats of fabric, wood, plastic or metal that adjust by rotating from an open position to a closed position by allowing slats to overlap. A roller blind does not have slats but comprises a single piece of material.
- The blinds are forced bets posted by players to the left of the dealer button in flop-style poker games. The number of blinds is usually two, but can be one or three.
- Confuse or overawe someone with something difficult to understand
- A place where a road deviates from a straight path
- (curve) a line on a graph representing data
- (curve) swerve: turn sharply; change direction abruptly; "The car cut to the left at the intersection"; "The motorbike veered to the right"
- A curving contour of a woman's figure
- (curve) the trace of a point whose direction of motion changes
- A line or outline that gradually deviates from being straight for some or all of its length
A family living in a Baltimore ghetto struggle for normalcy in a place surrounded by illicit drugs and behaviour.
Genre: Feature Film Urban Drama
Release Date: 22-JUL-2003
Media Type: DVD
The bleak reality of drug addiction is captured with unflinching authenticity in The Corner, an excellent, reality-based HBO miniseries. Having lived on the streets of West Baltimore, Maryland, where this compelling drama takes place, actor-director Charles S. Dutton knows the territory, physically, socially, and emotionally, and his compassionate approach is vital to the series' success. Dutton cares for his characters deeply enough to give them a realistic shred of hope, even when hope is consistently dashed by the ravages of addiction. This is, at its root, a family tragedy, focusing on errant father Gary (T.K. Carter, in a heartbreaking performance) a once-successful investor trapped in a tailspin of heroin dependency. His estranged wife Fran (Khandi Alexander) was the first to get hooked, and she's struggling to get clean, while their 15-year-old son DeAndre (Sean Nelson, from the indie hit Fresh) deals drugs, temporarily avoiding their deadly allure while facing the challenge of premature fatherhood.
Through revealing flashbacks and numerous local characters, we see the explicit fallout of addiction, and while violence occasionally erupts, its constant threat is secondary to Dutton's dramatic vision, which remains steadfastly alert to the humanity and neglected potential of these lost and searching souls. The Corner is, essentially, the civilian flipside of HBO's equally laudable series The Wire, which approaches a similar neighborhood from a police-squad perspective. Performances are uniformly superb, details are uncannily perfect, and for all of its human horror, The Corner is riveting, not depressing. A closing interview with the characters' real-life counterparts bears witness to the fact that these lives--with inevitable exceptions--need not be lost forever. --Jeff Shannon
Handlebarcam in the Alps, viewing some superb curves. The rider in front was always dangerous though, going around blind corners on the wrong side of the road. I didn't like riding behind him (but the curves meant that sometimes I forgot to leave proper space in front of me), and this time he almost didn't get away with it. I think he forgot he had panniers on.
These roads barely fit two cars, have many blind corners, curves and dips, yet the posted speed limit is 100km/h. Needless to say, I was feeling a tad car sick and was happy to stop.
blinds corners and curves
"What would you give to have a great body without constantly dieting? Is it worth thirty minutes of your time three days a week? Are you willing to watch what you eat for two days a month if you could eat without deprivation the other twenty-eight days? Would you like to liberate yourself from the drudgery and monotony of constant dieting? I'm going to make you a promise that cannot be made by any other weight-loss program. I will show you an easy way to achieve permanent weight loss without permanent dieting. It won't take a lot of your time. And it will lead you out of diet hell."
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Door Draperies. Flower That Grow In Shade.
- Cloth coverings hanging in loose folds
- The artistic arrangement of clothing in sculpture or painting
- (drapery) cloth gracefully draped and arranged in loose folds
- A curtain (sometimes known as a drape, mainly in the United States) is a piece of cloth intended to block or obscure light, or drafts, or water in the case of a shower curtain. Curtains hung over a doorway are known as portieres.
- Long curtains of heavy fabric
- (drapery) curtain: hanging cloth used as a blind (especially for a window)
- doorway: the entrance (the space in a wall) through which you enter or leave a room or building; the space that a door can close; "he stuck his head in the doorway"
- A hinged, sliding, or revolving barrier at the entrance to a building, room, or vehicle, or in the framework of a cupboard
- A doorway
- Used to refer to the distance from one building in a row to another
- a swinging or sliding barrier that will close the entrance to a room or building or vehicle; "he knocked on the door"; "he slammed the door as he left"
- anything providing a means of access (or escape); "we closed the door to Haitian immigrants"; "education is the door to success"
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...draperies are living hieroglyphs that stand in some peculiarly expressive way for the unfathomable mystery of pure being. More even than the chair, though less perhaps than those wholly supernatural flowers, the folds of my gray flannel trousers were charged with "is-ness." To what they owed this privileged status, I cannot say. Is it, perhaps, because the forms of folded drapery are so strange and dramatic that they catch the eye and in this way force the miraculous fact of sheer existence upon the attention? Who knows? What is important is less the reason for the experience than the experience itself. Poring over Judith's skirts, there in the World's Biggest Drug Store, I knew that Botticelli - and not Botticelli alone, but many others too-had looked at draperies with the same transfigured and transfiguring eyes as had been mine that morning. They had seen the Istigkeit, the Allness and Infinity of folded cloth and had done their best to render it in paint or stone. Necessarily, of course, without success. For the glory and the wonder of pure existence belong to another order, beyond the Power of even the highest art to express. But in Judith's skirt I could clearly see what, if I had been a painter of genius, I might have made of my old gray flannels. Not much, heaven knows, in comparison with the reality, but enough to delight generation after generation of beholders, enough to make them understand at least a little of the true significance of what, in our pathetic imbecility, we call "mere things" and disregard in favor of television.
-Aldous Huxley "The Doors of Perception"
Mari and possible bedroom drapery
We are trying to select drapes for our house. The background is a sample we are considering for our bedroom. I know this isn't a perfect portait, but I wanted to submit something for the strobist boot camp revisited background assignment.
Key light is an SB-24 on a light stand with a tiny Micro Apollo softbox shooting through a translucent umbrella (for double diffusion), situated above and camera left, and triggered with an eBay trigger. Kicker at camera right is an SB-16 with a 3/4 CTO gel and a cardboard barn door, suspended on top of a door with a Manfrotto clamp, zoomed to 85 mm, and triggered with an optical trigger. Background light is an SB -800 on a light stand at camera right, very close to background, so that the light comes from a steep angle, zoomed at 105 mm, optically triggered in SU-4 mode.
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